Angleška dramska skupina Škofijske klasične gimnazije nas je v letošnji sezoni prijetno presenetila z uprizoritvijo dela Sen kresne noči (A Midsummer Night’s Dream) Williama Shakespeara. S tem smo v Zavodu sv. Stanislava počastili 400. obletnico smrti tega velikana drame, poezije in igre.
Osemindvajset dijakov iz English Drama Club je sodelovalo pri štirih ponovitvah v novembru in decembru 2016. Med njimi je osemnajst igralcev, šest postavljavcev scene, dva lučkarja in zvočna delavca, en fotograf ter ena maskerka in frizerka. Tako je bila predstava v celoti v rokah dijakov, ki so ustvarjali pod mentorstvom Alenke Battelino in Mojce Lavrič. Obe že štiri leta sodelujeta pri vodenju angleške dramske skupine. Za Wildovim Zglednim soprogom je to druga predstava, ki je postavljena na oder Škofijske klasične gimnazije v angleškem jeziku.
Takole razmišlja o predstavi Anamarija Mihovec, dijakinja 3.č in ena izmed igralk:
William Shakespeare. Je sploh kdo, ki ne pozna tega imena? Ne le da je napisal 37 dram in 154 sonetov, za sabo je pustil tudi veliko besednih zvez in močan pečat v angleškem jeziku in svetovni književnosti nasploh. Pa saj vse to najbrž že veste. Kakšna čast mora potem biti, da smeš igrati v eni od njegovih komedij? (retorično vprašanje)
Kako se je vse sploh začelo in nadaljevalo?
Začelo se je precej preprosto, s povabilom k sodelovanju po šolski objavi. Naprej pa po stopničkah.
Kaj so o igri povedali nekateri sodelujoči in gledalci?
Andraž Novak; gledalec in fotograf na predstavi
Ajda Kok, »scenka«
»V igri A Midsummer night’s Dream sem igral Nicka Bottoma. Baje, da sem − vsaj tako so mi rekli − zvezda večera, ampak to je zgolj odraz vrednot naših gledalcev, ki živijo po principu “panem et circenses”. Žal jim nihče ni povedal, da pogostitve ne bo, za zabavo pa je poskrbel Bottom: ker je pač Rit in je hotel vso pozornost. Meni se sicer ni zdelo, da bi ravno izstopal ali navdušil. Verjetno zato, ker sem imel v mislih predvsem konjsko glavo in veličasten trenutek, ko jo bom smel sneti; v njej je bilo namreč zelo zoprno, ker je bilo vroče in nisem nič slišal: Mojca je rekla, da je bil to edini prizor, v katerem sem se drl, kot je treba. Med svojim pevskim performance-m sem smejanje publike brez težav odmislil (celo preslišal!), ker sem sanjal o čokoladi z arašidi, ki me je nestrpno pričakovala v zaodrju, na dve stvari hkrati pa se nisem zmožen osredotočiti (prof. Jernejčič bi rekel, da zato, ker nisem ženska − imam pa baje zato toliko bolj razvite male možgane, ki mi omogočajo spretno gibanje po odru).
Večkrat me ljudje vprašajo, kako to, da sem se odločil pridružiti se dramskemu krožku, in rad jim povem, da zato, ker sem mislil, da so vaje samo ob četrtkih − za 4-urni nedeljski maraton mi namreč ni nihče povedal, dokler nisem sprejel vloge … še danes se sprašujem, zakaj … Kakorkoli, sprva je bilo rečeno, da bom igral Oberona. Kmalu se je izkazalo, da bo Oberona igral Teodor, jaz pa bom igral Bottoma. Te novice sem bil vesel, saj ima Oberon preveč teksta in bi se dejansko moral truditi, da bi ga dobro odigral. S samo predstavo sem, glede na njeno stanje teden dni pred prvo javno uprizoritvijo, zadovoljen.
»Veste, gledališče ni edina reč v našem vsakdanu, ki je zrežirana. Je zgolj ena od redkih, ki to javno (in s ponosom) prizna. (…) Življenje je igra, Zemlja je naš oder in mi smo igralci, ki si vsak dan nadenemo drugo masko v upanju, da bomo prepričali prijatelje in sovrstnike, da smo “kul”, profesorje in sodelavce, da smo pametni, delodajalce ali druge nadrejene, da smo sposobni, in lokalnega župnika, da smo Bogu zvesti in predani verniki.« Mar ne? In celo tako zelo smo se vživeli v svoje kože (množina!), da so se nam maske zažrle v obraz in jih sploh več ne znamo sneti, in človek, ki mu zvečer, ves utrujen, pogledam v obraz, nisem več jaz … Razmisli o tem … Ti je res treba postati gledališki igralec, da se naučiš igrati? Jaz mislim, da nikakor ne. Te pa izzivam, da mi dokažeš drugače.«
Luka Benedičič,4. c, igralec (»Nick Bottom«)
»Predstava se mi je zdela imenitna, smešna, zabavna in prisrčna. Zanimivo je bilo videti ljudi, ki jih sicer srečaš na hodniku, v igralskih vlogah. Vsi so se zelo izkazali in vidi se, da za vsem tem stoji veliko truda in časa. Vesela sem, da obstajajo ljudje, ki take stvari organizirajo, in ljudje, ki pri tem sodelujejo. Nima veliko šol angleškega dramskega kluba, ki bi izvedel tako dobro predstavo. Meni so polepšali večer in zelo priporočam ogled tistim, ki je še niso videli. Hkrati upam na kakšno ponovitev več.«
Maruška Schenk, gledalka
»Predstava Sen Kresne noči Williama Shakespearja v izvedbi English drama klub ŠKG je bila enkraten dogodek. Izvirno in vselej aktualno Shakespearjevo igro so s svojim vložkom nadgradili odlično pripravljeni igralci. Tako je bila izvedba (kar je pri Shakespearju vselej pomembno) prvovrstna ter je taka skupaj s klasično Shakespearjevo zgodbo res predstavljala kakovostno “gledališko” izkušnjo. Najbolj velja izpostaviti osebno pripravljenost vseh nastopajočih za sodelovanje. Res so se dobro pripravili na vlogo in se vanjo tako močno vživeli, kar je tisto, kar je predstavo dokončno naredilo izvrstno.
Igra je bila torej ključno sredstvo odlične karakterizacije in diferenciacije likov, ki so skupaj na odru (kljub na trenutke nekoliko pre-skromni sceni) tvorili prepričljivo, učinkovito in kakovostno celoto. Celoto, vredno ogleda.«
Rok Jan Špiletič, gledalec
Fin
Morda najbolj pomembno, mnenji glavnih organizatoric, prof. Battelino in prof. Lavrič. Zdelo se jima je dobro…največje zahvale gredo seveda njima!
Vse se da, če se hoče. Še dve izpeljani predstavi z navdušenim občinstvom. Veselje. In občutek zadovoljstva, po tem ko je trud poplačan. (Tudi tortice za nagrado). Objemi med igralci. Prava mala družina. Vse prehitro je minilo. Tako se končuje naš sen zgodnje zimskih dni. Pa naj še kdo reče, da je Shakespeare dolgočasen ali pretežek, če si upa!
Anamarija Mihovec
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